SOUND AFTER THE MACHINES

Irvin Shanx composes in the residual hum: corroded rhythm, submerged voices, and the long decay of abandoned places.

▶ LISTEN TO THE NEW TRANSMISSION

01—05

THE LONDON ESCAPE

01 / FEATURED TRANSMISSION

THE LONDON ESCAPE

A nocturnal passage through derelict power corridors and rain-black rail lines. Seven movements built from contact microphones, shortwave interference, and failing tape loops.

▶

I. RELAY STATIONFLAC / 06:42 00:00 ━━━━━ 06:42

BUY / €9 RELEASE NOTES ↗

02 / FIELD STATEMENT

“I’M NOT RECORDING RUINS. I’M RECORDING WHAT THEY REMEMBER.”

Shanx works between Copenhagen and London, collecting the electrical weather of decommissioned infrastructure. Every piece begins outside the studio—with a room tone, a broken motor, a signal that refuses to disappear.

READ FIELD NOTE 014 ↗

Irvin Shanx beside industrial waterways — 55.6761° N12.5683° E

03 / SELECTED WORKS

SOUND ARCHIVE

THREE TRANSMISSIONS FROM THE INTERFERENCE LAYER

COPPER SLEEP

EP / 2024 / 21:16

BIOSTATIC

SINGLE / 2025 / 08:42

GLASS WEATHER

LP / 2023 / 39:05

04 / INSTALLATION

THE CORRODED HEART

An eight-channel low-frequency work for disused municipal spaces. A fabricated heart listens to the building’s electrical field and returns it as pressure, flicker, and sub-bass. Listen inside the installation Standing inside the installation

FORMSTEREO – DOLBY ATMOS

DURATIONCONTINUOUS

FIRST SHOWNREFSHALEØEN / 2025

VIEW INSTALLATION STUDY ↗

05 / LIVE SIGNALS